The Memory Palace

The Memory Palace Review

The Memory Palace Overview

“ People have abandoned their loved ones for much less than you’ve been through,” Mira Bartók is told at her mother’s memorial service. It is a poignant observation about the relationship between Mira, her sister, and their mentally ill mother. Before she was struck with schizophrenia at the age of nineteen, beautiful piano protégé Norma Herr had been the most vibrant personality in the room. She loved her daughters and did her best to raise them well, but as her mental state deteriorated, Norma spoke less about Chopin and more about Nazis and her fear that her daughters would be kidnapped, murdered, or raped.

When the girls left for college, the harassment escalated—Norma called them obsessively, appeared at their apartments or jobs, threatened to kill herself if they did not return home. After a traumatic encounter, Mira and her sister were left with no choice but to change their names and sever all contact with Norma in order to stay safe. But while Mira pursued her career as an artist—exploring the ancient romance of Florence, the eerie mysticism of northern Norway, and the raw desert of Israel—the haunting memories of her mother were never far away.

Then one day, Mira’s life changed forever after a debilitating car accident. As she struggled to recover from a traumatic brain injury, she was confronted with a need to recontextualize her life—she had to relearn how to paint, read, and interact with the outside world. In her search for a way back to her lost self, Mira reached out to the homeless shelter where she believed her mother was living and discovered that Norma was dying.

Mira and her sister traveled to Cleveland, where they shared an extraordinary reconciliation with their mother that none of them had thought possible. At the hospital, Mira discovered a set of keys that opened a storage unit Norma had been keeping for seventeen years. Filled with family photos, childhood toys, and ephemera from Norma’s life, the storage unit brought back a flood of previous memories that Mira had thought were lost to her forever.

The Memory Palace is a breathtaking literary memoir about the complex meaning of love, truth, and the capacity for forgiveness among family. Through stunning prose and original art created by the author in tandem with the text, The Memory Palace explores the connections between mother and daughter that cannot be broken no matter how much exists—or is lost—between them.

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The Memory Chalet

The Memory Chalet Review

The Memory Chalet Overview

" It might be thought the height of poor taste to ascribe good fortune to a healthy man with a young family struck down at the age of sixty by an incurable degenerative disorder from which he must shortly die. But there is more than one sort of luck. To fall prey to a motor neuron disease is surely to have offended the Gods at some point, and there is nothing more to be said. But if you must suffer thus, better to have a well-stocked head." -Tony Judt

The Memory Chalet is a memoir unlike any you have ever read before. Each essay charts some experience or remembrance of the past through the sieve of Tony Judt's prodigious mind. His youthful love of a particular London bus route evolves into a reflection on public civility and interwar urban planning. Memories of the 1968 student riots of Paris meander through the divergent sex politics of Europe, before concluding that his generation "was a revolutionary generation, but missed the revolution." A series of road trips across America lead not just to an appreciation of American history, but to an eventual acquisition of citizenship. Foods and trains and long-lost smells all compete for Judt's attention; but for us, he has forged his reflections into an elegant arc of analysis. All as simply and beautifully arranged as a Swiss chalet-a reassuring refuge deep in the mountains of memory.

The Memory Chalet Specifications

Amazon Best Books of the Month, November 2010: In 2008 Tony Judt, the historian and essayist whose book Postwar was quickly recognized as one of the landmark works of our time, was diagnosed with Lou Gehrig's disease. He was soon almost fully paralyzed, but before his death in the summer of 2010 he managed to produce not only two works of political and intellectual history, Ill Fares the Land and the upcoming Thinking the Twentieth Century, but also a series of short essays that had a breathtaking reception when they appeared, a few at a time, in the New York Review of Books. The pieces were remarkable both for their content and their method of composition: isolated at night in the prison of his paralysis, Judt would sort through his memories, arranging them, to better remember them, in the "rooms" of a Swiss chalet he recalled from an idyllic childhood visit, before dictating them in the morning to be published. The essays are at times political but always personal, calling up memories of food, youth, sex, education, train travel, and other subjects with a clarity and intensity born of both his historian's skills of observation and judgment and the heightened awareness of time's passage imposed by his undeniable mortality. Collected now in The Memory Chalet, these reflections make up a memoir that evokes, with clear-eyed passion, the life of the mind, as well as the body. --Tom Nissley

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